Well I think it’s safe to say it’s been an overall shit of a year but there’s been a lot of positives it’s over now. After a busy winter season a nice quiet Christmas was very welcome. It’s been a while since I’ve posted so here are a few things I meant to post about but didn’t get around to:
As a factory driver for Colourlab Ai I did a video testimonial outlining one of the ways I use the platform to optimise my workflow. It really is a fantastic program and I’m excited to be using it along with Look Designer 2.0 on my next project but more on that later.
I’ve got to work alongside some amazing people on Other Voices in Dingle and in the Storehouse and shot some amazing music with Jameson Connects. I was blown away by the serious amount of Irish talent out there it was a nice pick-me-up of a job and I even went so far as to buy a physical album from one of the artists.
There were many more shoots that were all great fun but too many to mention and some I can’t anyway.
I was very happy with the results of my multi-exposure expired film experiment the method really give some interesting results that you just wouldn’t get with a digital camera. I’ll definitely be exploring this method further next year, I still have three rolls of it to develop so god knows what’s going to come out of that. I’ll be putting the prints up for sale in the new year so there’ll be a link appearing on the website soon.
We’ve had to shut down for the holidays (mainly cause everyone else did and I can’t get much done aside from project development with everywhere closed – covid didn’t help there either) So I’ll be doing inventory of my gear while it’s quiet and seeing if there’s anything don’t use anymore that can go up for sale and what new bits I need to get, cause as we all know the gear list never ends. I’m looking forward to getting shooting again and working on new projects so happy new year, stay safe and lets hope 2021 gets better and better.
So it’s been an interesting few weeks, It seems like I’ve been saying that a lot and I keep thinking of that old Chinese curse “may you live in interesting times” but it is none the less true. Dublins gone back into lockdown and it looks like the rest of the country is going to follow but sure we’ll keep going the best we can. If they do shut everything down again I’ll be sure to be out with the drone.
Since my last update I’ve had two shoots assisting the lovely people at Tiny Ark, Submitted two projects to Tg4’s Ignite program, edited one promotional trailer, Finished editing a live gig for a band in Scotland (more on that later) and gotten back to work on my doc on the legacy of The Field “In The shadow of the Bull”.
The Ignite Scheme looks interesting. “The scheme is project-led, and will support the progression of the selected projects and their teams, through training that will focus on the development process of documentary, from inception to exhibition. The scheme will foster a new generation of non-fiction creative documentary talent from all over the island of Ireland to pursue their first or second feature, and to provide them with a platform to develop the spectrum of skills and knowledge required to succeed as a feature documentary filmmaker on an international level.” So it looks like the selected film makers will get much more out of it than just funding, fingers crossed we get at least one project in. Not sure what the notification date is.
Anyway one thing I have been very happy with lately is three new pieces of software I have been working with called Look Designer 2.0, Grain Lab and Colour Lab AI. I had mentioned in previous posts that I was doing grading courses taught by Dado Valentic and part of that course was we got to beta test these pieces of software. The first two are plugins for DaVinci Resolve while the third is a stand alone program and I would highly recommend them to anyone who does their own grading. Check out the link below for more information on them.
Three of the shots in these pictures (Taken from the promo for the Doc “Searching for Maria”) were shot on the Sony A7sii and three of them were shot on the RED Dragon. They were graded using Look Designer 2.0 emulating Kodak 5217 Vision 2 200T film stock printed on a 2398 Modern Negative.
I’ll be trying out Colour Lab AI on the next project I shoot so hopefully Covid won’t postpone it too long.
Ok so my last blog post got deleted so ill try to rewrite it as was, with a few minor corrections,
So With Covid slowing everything down I’ve decided to to take a course while I still have the time. This time I’ve decided to go with the ‘Summer Looks Academy’ with https://www.colour.training/ taught by Dado Valentic.
I first met Dado in London at a REDucation course in CVP. I was looking for a course to help improve my cinematography and thought learning everything there is to know about the camera I was shooting on was a good place to start. Dado was the guest speaker on the second and third day who was coming in to talk to us about Colour Science.
During this talk he said something that caught my attention. “If you were to look at the sun without the ozone layer it would actually appear as a shade of green not yellow, The ozone layer acts like a filter and the reason that the sun changes colour as it sets is that the density of the “filter” between you and the sun increases as it sets”. This was connected to the reason that there are twice as many green photocites in a cameras sensor then blue or red because the purpose of the sensor is to capture as much light as possible. When I heard this I thought ‘this is what I should be learning’ and a few months later I returned to London to do my first course with Colour Training in Colour Managment.
After we were presented with our certificates a few of us went to the pub where I nearly lost my certificate when it caught fire in the smoking area but that’s a different story.
This time I’m hoping to delve deeper into the design of Looks and LUTs and create some cool LUTS. I’m excited about doing the course, I really want to develop a look for a film or series from scratch and see it come to life on screen rather then do it all in post but I’m also nervous cause there are some really heavy hitters in the group that work on really big projects.