Ok so today I am launching an updated website, Ive got a new logo which I’m much happier with but more importantly I’ve added a section to include a new service. Grading, 3D LUT and Look design
So what does this mean. I’ve decided I’m going to open up some of the work I do on my own Cinematography to the public, if they want to avail of it. These days colour management is so important and with budget and time constraints it can easily get swept aside but colour effects how your clients and viewers perceive and feel about your work. This applies to all audio visual projects from features to adverts, music videos, docs, anything.
All cameras have a ‘look’ or ‘LUT’ (look up table) that they apply to the footage they shoot. It’s one of the reasons people will argue for one camera over another. However the majority of cameras these days give you the ability to shoot in RAW which is a flat image with no ‘look’ on it, the reason people shoot in Raw is because it gives you more options in post including more ability to control the look of the image. You don’t want your end product to look like everyone else’s.
A Show LUT is a single LUT designed to control the look of a film, TV show or whatever project you are doing. It is used on set to monitor the colour and look of your production and insure your look is consistent. It is then used in post as the basis for your grade.
For Camera people there are plenty of LUT packs that you can buy out there but they’re generally a ‘one size fits all’, they tend to not give you really good film stock emulation or truly get the look you want. I can design custom LUTS based on the camera you are shooting on and catered specifically to the look you want.
The way this process works is that you will come to me looking for a look, LUT or colour space designed for your project. I will talk to you about the look you are going for we will discuss the tone and feel of the project, reference images and intended delivery.
I will then present it to you in the following format:
If you are at the point that you are just building your pitch or presentation these are a great addition to you look book.
Once we work out any tweaks or changes to the look I will then reissue this presentation along with the reference images and two .cube files, a 65 and a 33. (The 33 is for uploading to your camera and monitors for on set monitoring and the 65 is only for post as 65 is too big a file for on set monitoring but they are the same LUT)
It is important to have a LUT that is 100% correct because it needs to give you the look that you want without effecting the exposure of the camera.
This is a process I use for every project I shoot and it really does make a difference.
If you have any questions or queries email me at email@example.com