So it’s been an interesting few weeks, spending some time in a remote part of the country I thought would be great for getting my course work done in a relaxing setting while spending some time with my family.
Day one the phone mast in the village went down knocking out both phone and internet for four days, so no chance to get any work done in the first few days, (for some people this would be relaxing but the stress of falling behind or to getting something done is not good for me). On top of that later in the week the muffler box on my car detached from the exhaust and my car spent the night in a garage and my phone went for a swim in the sea because while stand-in knee deep in water I just had to take a photo.
Back to Dublin and I then managed to give myself a black eye after a shoot trying to fold a 6 foot collapsible back drop, not easy when you’re 5’3. And after another shoot on Thursday I can relax into the weekend and focus on some editing and colour grading.
So what’s new. I finally sold my Ephonix MC colour grading control surface and have replaced it with the Ripple Tangent. There are a number of reasons for this, the main one being that the MC Colour is not compatible with Premier Pro and that is my main editing software. Avid and Adobe just do not get on.
Reason number 2 is that the tangent is portable and runs off USB so it’ll be easy to have on set or when I need to get work done and travel and reason number three is it works great with Davinci which I use for colour grading and I have to say I am incredibly happy with it. Here is a few looks I created last week while using it.
I’ll be offering 3D LUT design and Look design and presentation on my website soon but more on that later.
Ok so my last blog post got deleted so ill try to rewrite it as was, with a few minor corrections,
So With Covid slowing everything down I’ve decided to to take a course while I still have the time. This time I’ve decided to go with the ‘Summer Looks Academy’ with https://www.colour.training/ taught by Dado Valentic.
I first met Dado in London at a REDucation course in CVP. I was looking for a course to help improve my cinematography and thought learning everything there is to know about the camera I was shooting on was a good place to start. Dado was the guest speaker on the second and third day who was coming in to talk to us about Colour Science.
During this talk he said something that caught my attention. “If you were to look at the sun without the ozone layer it would actually appear as a shade of green not yellow, The ozone layer acts like a filter and the reason that the sun changes colour as it sets is that the density of the “filter” between you and the sun increases as it sets”. This was connected to the reason that there are twice as many green photocites in a cameras sensor then blue or red because the purpose of the sensor is to capture as much light as possible. When I heard this I thought ‘this is what I should be learning’ and a few months later I returned to London to do my first course with Colour Training in Colour Managment.
After we were presented with our certificates a few of us went to the pub where I nearly lost my certificate when it caught fire in the smoking area but that’s a different story.
This time I’m hoping to delve deeper into the design of Looks and LUTs and create some cool LUTS. I’m excited about doing the course, I really want to develop a look for a film or series from scratch and see it come to life on screen rather then do it all in post but I’m also nervous cause there are some really heavy hitters in the group that work on really big projects.